netherlandish art造句

• While devotional paintings  especially altarpieces  remained dominant in Early Netherlandish art,
• Netherlandish art became popular with museum-goers in the late 19th century.
• He was influenced by the style of Antonello da Messina and Early Netherlandish art.
• This was more tolerant, and allowed the exceptional detail of Early Netherlandish art.
• Art historians are unsure if his style became progressively more or less influenced by Netherlandish art.
• Lampsonius thus attempted to place Netherlandish art on the same level as Italian art, which he admired.
• The Bamboccianti brought existing traditions of depicting peasant subjects from sixteenth-century Netherlandish art with them to Italy.
• She has been at the Courtauld Institute of Art since 1986 where she specialises in portraiture and Netherlandish art.
• He seems, however, to have resigned himself tacitly to the difference in rank between Italian and Netherlandish art.
• The project was established in the early 1980s and the first volume was on early Netherlandish art published in 1986.
• Early Netherlandish art originated in French courtly art, and is especially tied to the tradition and conventions of illuminated manuscripts.
• In earlier Netherlandish art the profile view was the dominant mode of representation for the nobles or clergy worthy of portraiture.
• Originals were highly sought after, a revival that helped the rediscovery of Netherlandish art in the later part of the century.
• Italian influences on Netherlandish art are first apparent in the late 15th century, when some of the painters began to travel south.
• The theme of the miser and, in particular  death and the miser, goes back to the 15th century Netherlandish art.
• The panels are noted for their technical skill, visceral impact and for possessing a physicality and directness unusual for Netherlandish art of the time.
• The new composition, in turn, was copied by Joos van Cleve in another altarpiece-such borrowings being very common in Early Netherlandish art.
• It is fascinating to view Bruegel in this context or, for that matter, to reconsider Netherlandish art as a whole in light of stimulating recent scholarship.
• Such reproving scenes were standard fare in Netherlandish art of the time ( think of the parvenu louts and peasant wenches in Jan Steen's tavern scenes ).
• By the mid-16th-century, however, Netherlandish art was seen as crude; Michelangelo claimed it was appealing only to " monks and friars ".